Saturday, November 15, 2008

The Manuscript Found in Saragossa

The Manuscript Found in Saragossa is one of my favorite books I have never read, and the book I would have written if I was an exiled nobleman living in Napoleonic Europe. It has everything I that I'd like to write about at some point, conspiracy theories, eroticism and general weirdness and is all told in a frame narrative, like 1001 Nights. I'm not sure about the general plot, but I am going to be ordering a copy of this book pretty soon. This is what Penguin Classics says about the book.


The traveller, aristocratic adventurer, political activist, ethnographer and publisher Jan Potocki (1761-1815) is a legendary figure in Poland, not least for his literary masterpiece The Manuscript Found in Saragossa.
The novel's narrator Alphonse van Worden, a young Walloon officer journeying to join his regiment in Madrid in 1739, is diverted into the Sierra Morena and mysteriously detained in the company of thieves, cannibalists, noblemen and gypsies whose stories he records for us as he hears them, day by day over a period of sixty-six days.
The Manuscript Found in Saragossa, which has counted Alexander Pushkin among its many admirers, was published only in part in its author's lifetime, and thereafter has only been known fully through a Polish translation which appeared long after his death; controversy still rages over the original French text and the meaning to be attributed to it. A novel of stories-within-stories, it combines the picaresque with gothic horror and the supernatural, wit with erotic lyricism and inventiveness and, like the Decameron and the One Thousand and One Nights, it offers entertainment on an epic scale.


I am thinking about writing a frame narrative at some point. I'm even wondering if I should work all my works into one large frame narrative, but that could easily get far to complicated and experimental then I'm willing to go. I probubly could work it into a frame narrative, but I'm not sure how I should go about doing that. I have at least one novel that already has multiple plots and one that is going to be made up of various documents. If I where to combine all my works into one long frame narrative then I would have to have one pretty complicated book.
No, I don't think I can make all my books into one long frame narrative, though they are all interconnected I don't think they can be a single book. I might write a frame narrative one day, but it will be more of an expirement and it will be after I have the various novels and short stories I need to write first down. I was thinking that after I write The Big Novel, there will be another novel that will be The Really Big Novel, which will be the Brothers Karamazov to The Big Novel's Crime and Punishment. But that is not for today, or tomorrow, but for the distant future. I will have to actually read The Manuscript Found in Saragossa a couple times, and probubly the Arabian Nights too. But again this is not something that I plan on thinking about for a long time.

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