Solve Et Coagula: The Magic Naturalist Magazine

Today the spectre of Nazism is not as powerful as it was yesterday. I believe that this is because I am now writing it out in a form that can help restore my sanity. I am currently working on a piece of short fiction that I believe will help me deal with the existential stresses of National Socialism. This short story will hopefully express the issues I have, while at the same time tear a hole of complete absurdity into the entire idea of Nazis. I think that's what Mel Brooks did with "The Producers."

Speaking of writing, I have been thinking about my idea of the perfect literary magazine. This would be one that I would help publish and it would be linked to the idea of Magic Naturalism. It probably would be THE Magic Naturalist magazine, "Solve Et Coagula." I came up with this idea last night. It would be a single magazine that would have an issue every three months or so, usually with a theme of some sort that would give a loose theme. The theme wouldn't be to important however, and some issues may not even have a theme. It would also have more or less the same group of artists, all of whom would be in contact with each other, thus we would have a highly regional magazine made up mostly of the Magic Naturalists. Each issue would feature what those particular Magic Naturalists were doing and show examples of Magic Naturalist stories, paintings, poems and articles. It would also have transcripts of discussions made by various members of the Magazines, in retelling form or through copying down MSN chats. There would also be a special "Guest Feature," in each issue where we would get someone who is not from the Magic Naturalist group proper who would act as a guest. If this was a perfect world I'd probably see if I could get Alan Moore to be a "Guest Feature," because I have officially declared him a Grandfather of Magic Naturalism.

I basically got the idea from the Hermann Hesse book I'm reading. It's called "The Glass Bead Game," or "Magister Ludi," but I'm calling it "The Glass Bead Game," because that's the proper name. It's about the life of a guy called Joseph Knecht, and takes place in an unspecified future were the Intelligentsia has evolved into various monastic orders and the highest form of which is a bunch of people who play the Glass Bead Game, which is some kind of multi-disciplinary game that is very complex and only really smart, educated people can play. I was really struck by the idea of the Intelligentsia Monks, because they seem to be doing this right, and not in a way that I'm doing. They're unconcerned with fame or money or any of that stuff. This made me question my own goals, am I writing because of fame and money? I certainly want to get paid for my writing, but I'm not so sure about fame. I don't want fame, yet I would like people to read my work. Is having people read my work the same as being famous? Mind you, I don't want a, say Michael Jackson level of fame, where they wont shut up about me. I don't want paparazzi following me around. But does the paparazzi follow writers around? Are they're really any famous writers anymore? I feel out of touch with the common man, if they're is such a thing? Is the common man the people who watch Entertainment Tonight to see if John and Kate have broke up yet and which one has custody over the plus 8? Do people follow Salman Rushdie around, or that guy who wrote American Psycho? I don't even think I know any famous writers of today. Well, I know Salman Rushdie and Thomas Pynchon, know of them I mean, but they aren't followed by paparazzi. They both have to lie low, or Salman Rushdie does. I think Thomas Pynchon may have CIA connections, but that's just baseless hypothesizing.

I don't think we live in a world were writers are famous, they're just well known. I also think that if I really wanted too, I could probably disappear from Gossip Columnist Radar. But anyways, to tie everything back together, I wanted to make this magazine, which we will call Solve Et Coagula for now, as a way around this. It would be more a way for various artists with similar interests to communicate, and show they're work to each other. "See, this is what I did. Love what you did there. See that guy, man I loved his photography, we should have him in the Zine sometime." That sort of thing. I think it would be a good idea. It could be worked around the whole fame and money thing, and we could all just concentrate on the Art.