Manifesto and Mystery

Yesterday I meant to talk about my first real attempt to start an art movement. I think that I may have gotten somewhere at Waterloo, but I'm starting to think that my hometown can be a much better place to start because I know more writers and artists here.

Basically, I'm working on a Manifesto, a Magic Naturalist Manifesto. I don't want to get to involved just yet, but I already talked to two friends. Let's call them Roger and Rowan. Roger is a painter I've known for awhile and when I showed him what I have done for the Manifesto he was very impressed. We then ran into Rowan, who's a retired actor and a sort of elder statesmen of the local poets, at least in my opinion. He didn't like the idea of a Manifesto as such, so I doubt he'll sign it. I appreciate that, since in the Beat Generation of my life, Rowan fills a posistion somewhat akin to William S. Burroughs, except without the drugs and the homo-sadism, which is a good thing.

I'm not going to get to much into Magic Naturalism, except that it is my first attempt at a form of Remodernist Literature. In the end it will probubly only apply to myself, but Roger is pretty interested in it and I think I may have set something off. I've been interested in writing a Manifesto ever since I read the Remodernist one, and if I ever get this into a legitimate movement with people in it besides me and Roger, I may try setting up a magazine. I may just end up editting a major magazine as "The Magic Naturalist Issue," which according to a podcast I liseaned to on starting your own poetry movement should have four really good poets or writers, which can (and will) include me, as well as commentary. The commentary may just be my copy of the Magic Naturalist Manifesto. But again, this is only being made as a pattern that I can follow. Remodernism, while a great idea, lakes the neccesary structure that I find neccesary, not that Magic Naturalism is structured, it's just a list of ideas about writing and art and things like that.

I am thinking about writing in the mystery genre, at least as a format, but I'm not sure I want to write murder mysteries. I have a few ideas for murder mysteries, but I'd like to try something more like Chesterton's "The Man Who Was Thursday," which isn't really a murder mystery, no one is murdered, but I would like to do something that is pretty heavy on the metaphysics. To do this I realize I need to read a lot of mysteries. I'm going to try and read as much Chesterton as I can. So far I've only read seven Chesterton stories, one book "The Club of Queer Trades," which was amusing and a Father Brown story called "The Resurrection of Father Brown." I think that Chesterton's prose can be a bit...Edwardian let's say, so I may just try reading other things. I still have two Rex Stout novels I need to read, and I do enjoy Rex Stout's writing style.